Our analog control room is the Midas F32, which brings the unmistakable warmth and depth of classic British analog sound into every session. Each channel features Midas’ renowned preamps — smooth, detailed, and incredibly open — giving every source a natural presence and punch.
The DigiDesign PMC RM2, with a wider sweet spot and greater bass extension due to its advanced ATL™ (Advanced Transmission Line) design and “D-Fins”, offers also a neutral sound profile, great for the analog mix.
Some of the brands we fell in love with, and the hardware we use every day for our studio work.
Our trusty ally, the 1973 Akai tape recorder GX-280D , is the jewel in the crown of our analog setup: we can in fact manage post-production entirely in analog, recording the final audio directly onto tape, so as to give that warm and enveloping sound that only tape can provide.
Want more? Our analog outboards, from API preamps to SSL and Midas compressors, from condenser saturators to EQs, are definitely worth a look.
